Gina Louthian-Stanley has been a creative person since she was born. In the first grade, she won her first art award for her visual narrative of “The Three Billy Goats Gruff.” She continued taking as many art classes as possible throughout school. While she learned techniques in college, most of what she does today is a combination of those techniques used in a totally new and different way.
“Formal training has brought its rewards,” Gina says, “but self-exploration has produced the greatest results. By taking all of the insights that my teachers have taught me, I’ve been able to merge them to create my own artistic style or styles. Experimental art has always fascinated me.”
Which may be why Gina uses a variety of mediums including cold wax, encaustic, watercolor, oil, monotype and intaglio printmaking, pastel and ink drawing, pottery, and jewelry making. She even mixes the medium at times to “push the limit” of what the medium can do to convey the ethereal atmospheric landscape that she loves.
Which is your favorite medium, and why?
I have two passions at the moment, working in wax and printmaking. I have been a printmaker since the 70s, and working in hot and cold wax at least ten years. With the encaustic mediums, I can utilize photography, printmaking, and painting. I have also been introducing encaustic mediums into jewelry pieces. I am attracted to the natural elements of the damar resin and beeswax.
What/who are your inspirations?
All of my inspirations come primarily from the earth and nature. I am influenced by artists and writers who are intrigued by nature and natural elements. I am also inspired by music and always have it playing in my studio.
Would you say that any of your work is a reflection of living in Roanoke?
Most certainly. I have lived in Roanoke all of my life and have always been inspired by the landscape here. I have a particular piece, Bent Mountain Marsh, that was created from a memory of a place. I was there on a clear blue day and the reflected blues of the sky in the glass-clear water against the textured brown grasses on the bank etched in my mind. I had to paint it.
For me, driving to work and seeing a heavy mist rising just above the earth in the early morning sunlight–that moment, you take a deep breath and all is right in the world.
Gina’s work will be available alongside participating artists through Open Studios Roanoke, beginning on April 29-30. Visit www.openstudiostourroanoke.com for more information on Gina and participating artists!